No one likes us and we don't care
The Stranglers were probably the least respected band to come out of punk. Not just because they had a drummer in his 40s and a bass player with a silly martial arts fetish, but their songs were laced with sexism and violent misogyny ("Sometimes I'm gonna smack your face" was the opening line of their debut album) which didn't quite fit in with the revolutionary, empowering spirit of punk. They probably thought they were being provocative when they just came across like dirty old men. Still, I liked them quite a bit (though the friends I had who really liked them were also into Heavy Metal – 'nuff said), listening to their early records gave you the same kick you got from "Derek and Clive (Live)" or the sick jokes that used to go around school the minute someone famous died ("What was Marc Bolan's last hit?" "A tree") — they were nasty bastards but made some great records, and at that age you thought dirty words were funny.
By their standards their third album "Black and White" (1978) was quite an artistic and mature affair. It's their most inventive musically and the first one where the "humour" didn't involve ugly women and prostitutes. Not coincidentally I think it's their best album. The opening song "Tank" is a classic parody of the rock and roll car song, instead of the freedom of a Little Deuce Coupe it's about the thrill of driving a tank and shooting people. Quite a change for The Stranglers to be taking the piss out of military machismo, how very liberal of them. "Hey! (Rise of The Robots)" is a funny song about robots taking over the world ("They're gonna want a union soon/Oil break that's dead on noon") driven along by some great skronky sax playing by Laura Logic. Silly stuff, but a vast improvement on what they used to find amusing. The way these two motor along shows what a seriously good group they could be aside from all the macho shithead stupidity.
Despite the departure of lead singer Hugh Cornwell in 1990 they're still around today, gigging and making new records. Some belligerent old bastards just refuse to go away.
Download: Tank - The Stranglers (mp3)
Download: Hey! (Rise of The Robots) - The Stranglers (mp3)
Buy: "Black and White" (album)
Funny story: My Gran used to buy me and my sister an LP each every Christmas and in 1977 my sister asked for a copy of The Stranglers'"No More Heroes" album. On Christmas Day the whole family — aunties and uncles, cousins and grandparents — is gathered together and my sister decides to play her new record. If you know the album you can probably guess the rest of this story. Halfway through side one there's this track on it called "Bring On The Nubiles" and the chorus...um, goes "Let me, let me, fuck ya, fuck ya, let me lick your little puss." As you can imagine there were red faces all around, apart from us kids who thought it was hysterical. I still have a wry smile whenever I think of my Gran going into her local Woolworth's and buying the album in the first place.
5 Comments:
I think you misunderstand the concept of "tongue in cheek" somewhat. The Stanglers wanted to shock you and perhaps your gran out of comfy complacency.Most people never (still don't) get the point Great choice of tracks however so well done after all
I'm not sure how you shock someone out of their "complacency" by singing about shagging little girls. They were just out to shock, I wouldn't make them out to be political or social revolutionaries.
Can't say that I know them in the depth that you do, but the Stranglers gave me one of the best singles out of that era, "Skin Deep". Man, used to go to this "goth" club, meet up with the chums, shag a lot, and dance evn more - "Skin Deep" being one of the most memorable. Thanks for the post!
Yeah they were kind of dirty old men (I met Hugh Cornwell once, nowt's changed!) but the music was brilliant. I don't think they thought they were being provocative, I reckon they actually were dirty old men...with immense songwriting talent. Rattus... was way more than shock for shock's sake, who can't relate to Grip's lyrics when you're 14 (or 30 or 40??).
Also, why are Van Goghs paintings of the prostitue who gave him syphillis considered 'art', and yet dirty, filthy basslines & mental, psychotic keyboard arpeggios with scarily honest lyrics considered jeuvenile? Just the same human need to make art about human needs. Plus, some of it IS funny! Cencorship is the death of art, or anything that has the potential to mean anything - if it offends you turn it off, fool! (& listen to, I dunno, cardboard cut-outs The Strokes or something)
& what about later songs, like Bear Cage, Duchess, Always The Sun?
The Stranglers were epic & their back catalogue is immense. They also made the most direct, energetic, violent and perfect 2 1/2 minutes of music on No More Heroes in Something Better Change, which pisses all over anything by the Pistols, Ramones or Stooges. Cheers Mr. Burnell!
Quite a Stranglers fan, me ;-)
Londonlee - who's making them out to be social or political revolutionaries? Ignore the 'shock' value (it's boring) & just listen to the songs. They were simply amazing fucking songwriters who made amazing music
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